french new wave film logo French New Wave and international new wave cinema
Google-Translate-English to French . Google-Translate-English to German. Google-Translate-English to Italian .Google-Translate-English to Portuguese BETA Google-Translate-English to Spanish . Google-Translate-English to Russian BETA . Google-Translate-English to Japanese BETA. Google-Translate-Chinese (Simplified) BETA
Bookmark and Share
 

CATHERINE DENEUVE BOOKSHELF

Catherine Deneuve book

The Private Diaries of Catherine Deneuve: My Life Behind the Camera by Catherine Deneuve

Deneuve's intimate autobiography, focusing especially on her work with directors Bunuel, Truffaut, Polanski, and von Trier. These are Catherine's own words about her personal life and her career in the film industry.




From Perversion to Purity: The Stardom by Lisa Downing and Sue Harris (editors)

A wide-ranging and authoritative collection of essays by a selection of international film academics and writers. Deneuve persona of French national icon is scrutinized and illuminated, beyond the glamorous iconographic status of Yves Saint Laurentis muse, and the epitome of sexual inviolability.


CATHERINE DENEUVE
Catherine Deneuve (born 22 October 1943) is an iconic French actress known for playing cool blondes with hidden depths in the work of some of Europe’s greatest directors. Her legendary beauty and classical elegance have made her famous throughout the world where she is as well known for her promotion of perfume and fashion as she is for her acting.
 


see also articles on:
Top 10 Films by Actor Performance || French New Wave History ||
French New Wave Film Guide || French New Wave Fashion
Catherine Deneuve
actress Catherine Deneuve
   

Coming Soon!

Catherine Deneuve was born Catherine Fabienne Dorléac in Paris, the third of four daughters to French stage and screen actor Maurice Dorléac and actress Renée Deneuve. Unlike her extroverted sister, Francoise, who was one year older, Catherine was more interested in art and design than acting, however her stunning beauty and family legacy made a career in the spotlight seem inevitable.

She made her screen debut as Francoise’s sister in Les Portes Claquent (1960). The experience however did little to encourage her to continue acting. Soon after she began a romance with Svengali director Roger Vadim and left her close-knit family home to move in with him. It was Vadim who persuaded her to dye her naturally brown hair to blonde and thus helped define her image as a blonde goddess. He directed her in the disappointing La Vice et la Vertu in which she gave a rather flat performance, still uncertain of her acting ability.

At the age of 19 she found herself pregnant with Vadim’s child. Just a month after giving birth to their son, Christian, in 1963, their relationship ended, leaving her alone to face the daunting task of bringing up the child alone. Ironically, real life now began to resemble art as she was cast in Jacques Demy’s Les Parapluies de Cherbourg (The Umbrellas of Cherbourg, 1964) in which she portrays a young girl who enters a loveless marriage with a rich man, after she is left pregnant and alone when her boyfriend is sent off to war. The experience of being able to use her own life as the basis for a performance and of staring in such an innovative and well-received film encouraged Deneuve to devote herself to acting with a renewed sense of passion she hadn’t felt before.

Her performance in Les Parapluies de Cherbourg brought her to the attention of some of Europe’s most acclaimed directors leading to two of her most iconic roles. In Roman Polanski’s Repulsion (1965), she played a sexually-repressed paranoid schizophrenic whose descent into madness results in her becoming a murderer. In Luis Bunuel’s Belle de Jour (1967) she is a bored housewife who turns to prostitution as a way of living out her fantasies. This last film not only confirmed her as a major movie star but as a fashion icon too, becoming the muse for legendary designer Yves Saint Laurent, who was inspired by Deneuve after creating her wardrobe for the film.

She worked again with Demy on the lighthearted musical Les Demoiselles de Rochefort (The Young Girls of Rochefort, 1967) opposite her sister Francois Dorleac. Tragically Francois died in a car accident soon after at the age of 25. The sisters were very close and Deneuve was devastated. Despite this terrible loss - and perhaps because of it - Catherine threw herself into her work with more energy than ever. Her films from this period included Mayerling (1968) opposite Omar Sharif, April Fools (1969) opposite Jack Lemon, and La Sirene du Mississippi (Mississippi Mermaid, 1969) directed by Francois Truffaut.

In 1970 she teemed up with Bunuel again for Tristana (1970). Here again she played the innocent beauty exploited by a lecherous older man, however this time her character achieves independence and eventually exacts revenge on the man who has exploited her. The film received unanimously good reviews from the critics and an Academy Award nomination for “Best Foreign Language Film.”

While her film career went from strength to strength, Deneuve struggled to replicate this success in her private life. In 1965 she married “swinging London” photographer David Bailey. Both had affairs however and they separated in 1970, divorcing two years later. By then Deneuve had already begun a relationship with Italian actor Marcello Mastroianni. In 1972 she gave birth to a daughter by him who they named Chiara. They eventually split up in 1975, although the two remained friends until his death in 1996.

In America in the 1970s, Deneuve became famous as the face of Chanel No.5. The American press were so captivated by her charm, they nominated her as the world’s most elegant woman. Despite this her appearances in Hollywood movies were rare and mostly undistinguished. In 1969 she had starred with Jack Lemon in the comedy The April Fools and in 1975 she returned to act opposite Burt Reynolds in the crime drama Hustle. Though in both cases reviews were decent, neither made much impression at the box office.

In 1980, she worked again with Truffaut on the Second World War drama Le Dernier Metro (The Last Metro, 1980) for which she won a Cesar award for best actress. She returned to Hollywood for The Hunger, co-starring with David Bowie as a stylish vampire couple living in Manhattan on the hunt for new blood. Despite poor reviews, the film developed a cult following, not least for the erotic love scenes between Deneuve and Susan Sarandon.

In the early 1990s, Deneuve garnered further international acclaim for her performances in several films, including 1992's Indochine (for which she won another César Award for Best Actress, and an Academy Award nomination for Best Actress); and André Téchiné's two films, Ma saison préférée (1993) and Les Voleurs (1995).

In 1996, Deneuve paid homage to the director that brought her to stardom by appearing in the documentary L'Univers de Jacques Demy. In 1998, she won further acclaim for her performance in Place Vendôme. At the end of the decade, despite being past the age when most Hollywood actresses are semi-retired, Deneuve continued to work steadily, appearing in five films in 1999 alone: Est-Ouest (East-West), Le Temps retrouvé (Time Regained), Pola X, Belle-maman (Beautiful Mother), and Le Vent de la nuit (The Wind of the Night).

In 2000, Deneuve featured in the cast of Lars von Trier's musical drama Dancer in the Dark (2000) alongside Icelandic singer Björk. The film was selected for the Palme d'Or at the Cannes Film Festival and received alot of press attention for its controversial subject matter. In 2002, she shared the Silver Bear Award for Best Ensemble Cast at the Berlin International Film Festival for her performance in 8 Women.

In 2005, Deneuve published her diary A l'ombre de moi-meme ("In My Own Shadow", published in English as Close Up and Personal: The Private Diaries of Catherine Deneuve); in it she writes about her experiences working with Truffaut and Bunuel and shooting the films Indochine and Dancer in the Dark. In 2006, she headed the jury at the Venice Film Festival.

Deneuve continues to work steadily making at least two or three films per year. She has been criticised for a lack of ambition in many of her film choices, however, despite this, she is a revered figure in France where her image was used to represent Marianne, the country’s national symbol.



AS ACTOR (title, followed by role):

[with New Wave Directors] [Complete Filmography]

with New Wave Directors

Les Parapluies de Cherbourg (The Umbrellas of Cherbourg) (1964)... Genevieve Emery (d. Jacques Demy)

Repulsion (1965) ... Carole Ledoux (d. Roman Polanski)

Les Demoiselles de Rochefort (The Young Girls of Rochefort) (1967) ... Delphine Garnier (d. Jacques Demy)

La Sirène du Mississippi (Mississippi Mermaid) (1969) ... Julie Roussel/Marion Vergano (d. Francois Truffaut)

Peau d'Âne (Donkey Skin) (1970) ... La princesse/Peau d'âne (d. Jacques Demy)

Un Flic (A Cop) (1972) ... Cathy (d. Jean-Pierre Melville)

L'Evènement le plus important depuis que l'homme a marché sur la lune (A Slightly Pregnant Man) (1973) ... Irène de Fontenoy (d. Jacques Demy)

Le Dernier métro (The Last Metro) (1980) ... Marion Steiner (d. Francois Truffaut)

 

Complete Filmography

Les Collégiennes (1957) ... credited as Catherine Dorléac

L'Homme à femmes (1960) ... Catherine

Les Portes claquent (1960) ... Dany

Et satan conduit le bal (1962) ... Manuelle

Les Parisiennes (1962) ... Sophie

Dossier 1413 (1962) ... uncredited

Le Vice et la vertu (1963) ... Justine Morand

Vacances portugaises (1963) ... Catherine

La Costanza della ragione (1964) ... Lori

Les Parapluies de Cherbourg (1964) ... Geneviève Emery

Les plus belles escroqueries du monde (1964) ... Swindler (Segment: "L'homme qui vendit la Tour Eiffel")

La Chasse à l'homme (1964) ... Denise

Un monsieur de compagnie (1964)) ... Isabelle

Repulsion (1965) ... Carole Ledoux

Les Petits chats ... uncredited

Das Liebeskarussell (1965) ... Angela Claasen

La Chant du monde (1965) ... Clara

La Vie de château (1966) ... Marie

Les Créatures (1966) ... Mylène

Les Demoiselles de Rochefort (1967) ... Delphine Garnier

Belle de jour (1967) ... Séverine Serizy a.k.a. Belle de Jour

Benjamin (1968) ... Anne

Manon 70 (1968) ... Manon

Mayerling (1968) ... Maria Vetsera

La Chamade (1968) ... Lucile

The April Fools (1969) ... Catherine Gunther

La Sirène du Mississippi (1969) ... Julie Roussel/Marion Vergano

Tout peut arriver (1969) ... Interviewee

Tristana (1970) ... Tristana

Peau d'Âne (1970) ... La princesse/Peau d'âne

Ca n'arrive qu'aux autres (1971) Catherine

Liza (1972)... Liza

Un flic (1972) ... Cathy

L'Evènement le plus important depuis que l'homme a marché sur la lune (1973) ... Irène de Fontenoy

Touche pas à la femme blanche (1974) ... Marie-Hélène de Boismonfrais

Fatti di gente perbene (1974) ... Linda Murri

La Femme aux bottes rouges (1974) ... Françoise LeRoi

Zig zig (1975) ... Marie

L'Agression (1975) ... Sarah

Le Sauvage (1975) ... Nelly

Hustle (1975) ... Nicole Britton

Si c'était à refaire (1976) ... Catherine Berger

Anima persa (1977) ... Sofia Stolz

March or Die (1977) ... Simone Picard

Casotto (1977) ... Donna del sogno

L'Argent des autres (1978) ... Cécile Rainier

Ecoute voir... (1979) ... Claude Alphand

Ils sont grands, ces petits (1979) ... Louise Mouchin

À nous deux (1979) ... Françoise

Courage fuyons (1979) ... Eva

Le Dernier métro (1980) ... Marion Steiner

Je vous aime (1980) ... Alice

Le Choix des armes (1981) ... Nicole Durieux

Hôtel des Amériques (1981) ... Hélène

Le Choc (1982) ... Claire

L'Africain (1983) ... Charlotte

The Hunger (1983) ... Miriam Blaylock

Le Bon plaisir (1984) ... Claire Després

Fort Saganne (1984) ... Louise

Paroles et musique (1984) ... Margaux

Speriamo che sia femmina (1986) ... Claudia

Le lieu du crime (1986) ... Lili Ravenel

Agent trouble (1987) ... Amanda Weber

Fréquence meurtre (1988) ... Jeanne Quester

Drôle d'endroit pour une rencontre (1988) ... France

La Reine blanche (1991) ... Liliane Ripoche

Indochine (1992) ... Eliane

Ma saison préférée (1993) ... Emilie

La Partie d'échecs (1994) ... Marquise

Les Cent et une nuits de Simon Cinéma (1995) ... La star-fantasme

O Convento (1995) ... Hélène

Les Voleurs (1996) ... Marie Leblanc

Court toujours: L'inconnu (1996) (TV) ... Marianne

Généalogies d'un crime (1997) ... Jeanne/Solange

Sans titre (1997)

Place Vendôme (1998) ... Marianne Malivert

Le Vent de la nuit (1999) ... Hélène

Belle maman (1999) ... Léa

Pola X (1999) ... Marie

Le Temps retrouvé (1999) ... Odette de Crecy

Est-Ouest (1999) ... Gabrielle Develay

Dancer In The Dark (2000) ... Kathy

Je rentre à la maison (2001) ... Marguerite

Absolument fabuleux (2001) ... Une spectatrice du défilé

The Musketeer (2001) ... The Queen

Le Petit poucet (2001) ... La reine

8 femmes (2002) ... Gaby

Au plus près du paradis (2002) ... Fanette

Les Liaisons dangereuses (2003) (TV) .... Marquise Isabelle deMerteuil

Um Filme Falado (2003) ... Delfina

Princesse Marie (2004) (TV) ... Marie Bonaparte

Rois et reine (2004) ... Mme Vasset

Les Temps qui changent (2004) ... Cécile

Palais royal! (2005) ... Eugénia

Le Concile de Pierre (2006) ... Sybille Weber

Nip/Tuck (1 episode, 2006) ... Diana Lubey

Le Héros de la famille (2006) ... Alice Mirmont

Après lui (2007) ... Camille

Persepolis (2007) (voice) ... Mrs. Satrapi, Marjane's mother

Frühstück mit einer Unbekannten (2007) (TV) ... Elegante Dame

Un conte de Noël (2008) ... Junon

Mes Stars et moi (2008) ... Solange

Je veux voir (2008) ... L’actrice celebre

Le fille du RER (2009) ... Louise

Cyprien (2009) ... Vivianne Wagner

 

 


Coming Soon!



all rights reserved, all content copyright S Hitchman/A McNett 2008-2013